Filter Tab

Sets the filter type. You can choose between Classic, Tube Drive, Hard Clip, Bit Reduction and Rate Reduction.

To deactivate the filter, select Off.

• LP24, 18, 12, and 6 are low-pass filters with 24, 18, 12, and 6 dB/oct. Frequencies above the cutoff are attenuated.

• BP12 and BP24 are band-pass filters with 12 and 24 dB/oct. Frequencies below and above the cutoff are attenuated.

• HP6 + LP18 and HP6 + LP12 are a combination of a high-pass filter with 6 dB/oct and a low-pass filter with 18 and 12 dB/oct, respectively (asymmetric band-pass filter). Frequencies below and above the cutoff are attenuated. Attenuation is more pronounced for the frequencies above the cutoff.

• HP12 + LP6 and HP18 + LP6 are a combination of a high-pass filter with 12 and 18 dB/oct and a low-pass filter with 6 dB/oct (asymmetric band-pass filter). Frequencies below and above the cutoff are attenuated. Attenuation is more pronounced for the frequencies below the cutoff.

• HP24, 18, 12, and 6 are high-pass filters with 24, 18, 12, and 6 dB/oct. Frequencies below the cutoff are attenuated.

• BR12 and BR24 are band-reject filters with 12 and 24 dB/oct. Frequencies around the cutoff are attenuated.

• BR12 + LP6 and BR12 + LP12 are a combination of a band-reject filter with 12 dB/oct and a low-pass filter with 6 and 12 dB/oct, respectively. Frequencies around and above the cutoff are attenuated.

• BP12 + BR12 is a band-pass filter with 12 dB/oct plus a band-reject filter with 12 dB/oct. Frequencies below, above, and around the cutoff are attenuated.

• HP6 + BR12 and HP12 + BR12 are a combination of a high-pass filter with 6 and 12 dB/oct and a band-reject filter with 12 dB/oct. Frequencies below and around the cutoff are attenuated.

• AP is an all-pass filter with 18 dB/oct. Frequencies around the cutoff are attenuated.

• AP + LP6 is an all-pass filter with 18 dB/oct plus a low-pass filter with 6 dB/oct. Frequencies around and above the cutoff are attenuated.

• HP6 + AP is a high-pass filter with 6 dB/oct plus an all-pass filter with 18 dB/oct. Frequencies around and below the cutoff are attenuated.

Controls the cutoff frequency of the filter.

Sets the filter resonance.

Sets the amount of distortion. The effect of this parameter depends on the selected filter mode.

This parameter determines the influence that velocity has on the cutoff frequency. If Velocity is set to 0 %, the setting has no effect. At any other value, the cutoff frequency changes with the velocity.

Determines how much the filter is affected by the filter envelope.

Determines how the velocity affects the level of the envelope.

The level of the envelope depends on two factors: the setting of this parameter and how hard you hit a key. With positive values, the harder you hit a key, the higher the level of the envelope. With negative values, the harder you hit a key, the lower the level of the envelope.

Adjusts the influence of velocity on the phases of the envelope. Positive values decrease the length of the phases for higher velocity values. Negative values increase the length of the phases for higher velocity values.

Allows you to select the phases of the envelope to be affected by the Time Velocity parameter.

• Attack – The velocity affects the attack only.

• Attack + Decay – The velocity affects all phases up to the sustain phase.

• Decay – The velocity affects all phases including the sustain phase, but without the attack.

• Attack + Release – The velocity affects the attack and the release phases.

• All – The velocity affects all phases.

You can select the curve type to specify how the incoming velocity translates to the level of the envelope. The characteristics of each curve are displayed by a small icon.